‘An Night With Normani & Lydia Asrat’ was a GRAMMY Museum dialog exploring Normani’s music, profession and artistic partnership together with her longtime supervisor, Lydia Asrat.
For the event, the singer wore a Jean Paul Gaultier turtleneck dress that instantly jogged my memory of a kind of optical phantasm checks the place you’re requested what you see first.
Is it wooden grain? Or the define of the feminine physique?
On this case, the reply is each.
Jean Paul Gaultier has lengthy performed with graphic illusions that commemorate the feminine type. Suppose again to the period when everybody was sporting the home’s iconic Body Morphing dresses, from Anitta, Beyonce and Megan Fox’s naked-illusion appears to be like to the colorful dotted variations favoured by celebrities corresponding to Kim Kardashian. This design seems like a quieter evolution of that concept.
As an alternative of counting on vibrant colors or exaggerated trompe-l’œil results, the swirling wood-grain motif subtly contours the physique whereas nonetheless carrying unmistakable Gaultier DNA. It’s immediately recognisable in case you’re conversant in the label’s archives, but restrained sufficient to really feel recent.
For a night spent reflecting on creativity and inventive partnerships, it felt like an impressed selection.

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