Here’s a crimson carpet roundup from Saturday’s El Ser Querido (The Beloved) premiere, the place texture, sculptural silhouettes, and high-glamour styling dominated the Cannes Film Festival crimson carpet.
Chilly Glamour
Natasha Poly delivered one of many strongest seems to be of the night time carrying this Ferragamo Fall 2026 robe, the place the dense smock pleating and plunging sheer bodice created a placing distinction between sensuality and severity. There’s something hypnotic concerning the silhouette, which just about feels impressed by Tamara de Lempicka work, all elongated strains, chilly glamour, and ladies completely in management. Swarovski-accented Ferragamo pumps accomplished the look. Natasha bought each inch of this with the form of presence solely a real supermodel can.
Styled by Ilya Vanzato.


The Feathers Did All The Speaking
Vicky Luengo opted for customized Loewe, delivering a lesson in how simplicity can nonetheless create influence. The clear column silhouette may have simply pale into the background, however the dramatic feathered neckline, cut-outs and open again elevated the temper.
Styled by Freddy Alonso.


Miu Miu Revival
Tess Barthélemy introduced a softer power to the premiere in Miu Miu. The pale pink satin robe with crystal embellishment across the neckline leaned into that youthful, romantic aesthetic the model does so properly. I haven’t preferred the previous few Miu Miu outings at this competition, however that is extra prefer it.

Blue Satin Spectacle
Araya A. Hargate ensured there was no lacking her on this vivid blue Tamara Ralph Fall 2024 Couture robe. The sculpted off-the-shoulder neckline and saturated satin fabrication gave the impression monumental presence earlier than you even observed the dramatic practice. Araya is aware of precisely the best way to promote a couture second, and the diamond choker and outsized floral brooch solely amplified the impact.


Velvet In Chocolate Brown
Marina Foïs stood out in a customized Louis Vuitton chocolate-brown velvet robe that instantly caught my consideration due to the sculptural shoulder element. Velvet isn’t normally a material I affiliate with a Cannes crimson carpet, and we’ve got seen loads of it this 12 months, however I used to be bought by each the color and the architectural detailing, which gave this a sharper identification. Louis Vuitton Excessive Jewellery from the Mythica Assortment accomplished the look.

Cannes Meets Bridal Glamour
Romee Strijd wore Caroline’s Couture, arriving in a white embellished robe that instantly gave bridal power. This was actually underwhelming for me, however at the least it was not black or velvet.

Maison Margiela’s Disc Experiment
Talking of velvet, Constance Jablonski wore Maison Margiela in a glance that performed with transparency and texture by means of outsized round gildings layered over velvet.
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