Souheila Yacoub arrived on the Cannes Film Festival this week selling two tasks, L’Âge D’Or and L’Abandon, and contemplating her type normally sits someplace between understated Parisian minimalism and barely undone inventive cool, I used to be curious to see how that might translate once more at this pageant.
L’Âge D’Or Photocall
Souheila wore an Egonlab Fall 2026 look which, technically talking, comes from the menswear assortment, however that distinction feels more and more irrelevant right here. The feathered halter prime leans into softer female codes, whereas the exaggerated wide-leg trousers faucet into the outsized tailoring pattern that has dominated trend over the previous couple of years.
What makes this look work so nicely is the stability. The feather detailing might have simply tipped into one thing overly theatrical for a photocall, however the relaxed proportions of the trousers and the informal angle preserve it feeling fashionable and unfussy. There’s additionally one thing about this look that feels completely suited to Cannes in the course of the daytime. It has that barely eccentric Riviera vitality with out wanting compelled for the setting.
The sun shades, windswept hair, and hands-in-pockets angle solely strengthened the easy
L’Abandon Screening
Souheila leaned additional into her trend disruptor tendencies carrying a glance constructed round tailoring.
Nothing about this feels secure, which is exactly why it feels so aligned together with her type. Whereas many actresses and fashions arrive at Cannes aiming for traditional glamour, Souheila persistently approaches dressing from a extra subversive angle. The varsity-uniform references gave the impression a barely rebellious edge, whereas the exaggerated overskirt introduced in a way of drama suited to the pink carpet.
I’d have been totally on board with this look had the black skirt prolonged past the shirt tail, as I discover the proportions distracting, however that sense of disruption is solely purposeful.
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