Here’s a roundup from the Cannes Film Festival crimson carpet for the Paper Tiger premiere.
Minimal Temper
Jury member Ruth Negga continued her quietly mental Cannes type run sporting a smooth white Celine robe. The dark-tinted sun shades launched a cool sense of detachment in opposition to the clear sleeveless silhouette, shifting the temper away from bridal minimalism and into one thing sharper. In a sea of embellished robes, the simplicity stood out for all the precise causes, though some will say that is too minimal for Cannes.
Too A lot Going On
Barbara Palvin wore an Ella Mae Spring 2026 robe which felt weighed down by competing concepts. The draped sleeves, lace trims, layered textures, empire waist, ribbon element, and flowing panels all fought for consideration as an alternative of working collectively. After her strong start in Miu Miu, I haven’t been enamoured by something she has worn since.
Black-And-White Drama With Retro Aptitude
Paz Vega wore a Palomo Spain Resort 2026 robe which, due to the outsized black bow, prevented veering into Casper the Pleasant Ghost territory. Whereas that is extra minimal than we’re used to seeing from her, it nonetheless delivers sufficient visible impression to carry its personal on the Cannes crimson carpet, particularly subsequent to Ruth’s ultra-stripped-back look. The retro-inspired glasses sharpened the entire look, including an old-Hollywood edge to the graphic black-and-white palette.
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