We have been all below the impression that Aishwarya Rai Bachchan had only one customized look by Amit Aggarwal at this yr’s Cannes Film Festival. But, two months and two weeks after the occasion, Tony Ward has revealed that there was truly a second customized couture robe ready within the wings.
That instantly raises one query: why share it now as a substitute of throughout Cannes?
Tony Ward revealed that the robe featured greater than 7,000 hand-applied pearls in seven totally different sizes and required over 600 hours of workmanship. That’s a unprecedented quantity of labor for a robe and cape that by no means made it onto the Cannes pink carpet, or into the dialog, till now.
The timing is what makes this reveal so puzzling. Cannes is when these appears appeal to probably the most consideration, and this robe would undoubtedly have been a part of that dialog, particularly contemplating Aishwarya’s type has been shaky over the previous couple of years. As a substitute, it has surfaced lengthy after the competition ended, when the momentum has utterly disappeared.
My solely guess is that Aishwarya’s staff solely lately gave Tony Ward permission to launch these photos, as a result of it’s obscure why a robe of this calibre would have remained unseen in any other case.
It’s a disgrace, as a result of I genuinely consider this might have been one of many standout appears of Cannes had it appeared on the pink carpet on the time.
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